This is where we display a history of artwork we have created and sold or gifted
Sunset on the Beach by Virginia
3-D effect with real & and seashells
Lonesome Gull by Virginia
Beached Rowboat by Charles
3-D effect with real sand & seashells
Lights of Lightner (St. Augustine) by Virginia
Displayed in the STAA Fantastic Florida exhibit
Surf 'n' Sunset by Virginia
Menéndez @ Lightner (St. Augustine) by Charles
Displayed in the STAAA History Through the Lens of the Artist exhibit
Sunrise on the Beach by Virginia
3-D effect with real sand & seashells
Mike's Kookaburra by Charles
Blackjack Susans by Virginia
Heavily textured
Sandhills at Sunset by Virginia
Displayed in the STAAA Fantastic Florida exhibit
Monkey on Ice Flow by Charles
Displayed in the STAA Out of Place exhibit
One in the Crowd by Virginia watercolor
Displayed in the STAA Out of Place exhibit
47th by Virginia
Lincoln and Fido by Charles
Undersea Sentry by Virginia
Octopus's Garden in a Cave by Virginia 24x18 acrylic
El Vaquero by Charles
Displayed at the STAA Faces and Figures exhibit
Aviles Street (St. Augustine) by Virginia
Aviles Street is the oldest street in the United States—confirmed by archaeologists who uncovered pottery shards dating back to the early 1600s beneath its layered brick paving. While its roots are charmingly historic, the street’s creative soul keeps it feeling fresh. In the 1930s, Aviles became the city’s first formal arts district, when the old Hamblin Hardware warehouse at 11 Aviles Street was transformed into a studio and gallery space
Sea turtles (painted on rain barrel) by Charles
Lighthouse and Rough Seas collaborative effort by Charles and Virginia circa 2015
diptych set
Sandhill Crane Family by Charles
Colorful Fish by Virginia
Cathedral (Saint Augustine) by Virginia oil
Displayed in STAAA Spring Members Show
Dock at Dawn by Virginia A. Trahan 10x8 oil
Spider Boy by Virginia A. Trahan 20x25 oil
Displayed in STAAA Faces and Figures exhibit
Saint Augustine Cathedral circa 1900 by Virginia16x20 oil
Dusk by Virginia 18x18 oil
Rocky Shore by Virginia 16x20 oil
A Smack of Jellyfish by Charles watercolor
Aquarium by Charles watercolor
Beach Chairs by Charles watercolor
Beached Rowboat by Virginia 13x10 watercolor
Blue Heron by Charles watercolor
Blue Marsh Bird by Virginia watercolor
Diver's Delight by Charles watercolor
Displayed in STAAA Fantastic Florida
Fishing Shack by Virginia watercolor
Bridge of Lions (Saint Augustine) by Virginia watercolor
Displayed in STAAA Here and There exhibit
Era Beach Overlook (NSW Australia) by Charles watercolor
Dock at Dusk by Virginia watercolor
Flora by Virginia watercolor
Florida Twosome by Charles watercolor
Lighthouse by Virginia watercolor
Florida Morning by Virginia watercolor
Furrows by Virginia watercolor
Green Sea Turtle by Charles watercolor
Hometown Marina by Virginia watercolor
Necking Giraffes by Charles watercolor
Louie and Sharkey by Virginia
In Loving Memory
Pelicans on a Pier by Virginia watercolor
My Friend, Me and the Sea by Virginia watercolor
One Spring Morning by Virginia watercolor
Shelling by Virgini watercolor
Old Marina by Virginia 12x12 watercolor
Peaceful Dock by Virginia watercolor
Jamaican Breakfast by Virginia watercolor
Sailboat by Charles watercolor
Rowboats in Shallows by Charles
Saint Augustine Marina by Virginia watercolor
Marti Gras Turtle by Virginia watercolor
Woman on Beach by Virginia watercolor
Spooky Moon by Virginia
Still Life by Charles watercolor
Surf 'n' Foam by Charles watercolor
Surf 'n' Sunset by Virginia
3-D effect with real sand & stones
Spoonbill by Virginia watercolor
Tropical Bird by Virginia watercolor
Tropical Cove by Virginia A. Trahan 12x10 watercolor
Woman on Beach with Dog by Virginia 14x10 watercolor
Vase by Charles watercolor
Vases by Charles watercolor
Wine Bottle by Virginia watercolor
USS Bonhomme Richard by Charles watercolor
Bonhomme Richard (Frigate) 1779
(Frigate: tonnage 998; length 152'; beam 40'; depth 19'; complement 375; armament 28 12-pounder smoothbores, 6 18-pounder smoothbores, 6 9-pounder smoothbores). Duc de Duras, a French merchant vessel built in 1766 by the French East India Company (La Compagnie des Indes), spent the first 13 years of her life uneventfully, ferrying cargo between Paris and the East Indies. During the American Revolution, Louis XVI, King of France, bought the Indiaman from Monsieur Berard and gave it to Capt. John Paul Jones of the Continental Navy for use against Britain. Jones renamed her in honor of Benjamin Franklin, his friend and patron. Franklin’s famous work, Poor Richard’s Almanac, had become a bestseller in France under the title Les Maximes du Bonhomme Richard. The naval ensign shown at the stern is correct for the period.
Sea Oats by Virginia watercolor
Villa by the Sea by Virginia 13x11 watercolor
Spoonbill in Tree by Charles 9x12 watercolor
Sea Turtle by Virginia 20x16 watercolor
Rabbit by Virginia 12x12 watercolor
Happy Goose by Virginia 9x12 watercolor
Baby Bugs by Virginia 13x13 watercolor
Duval Street, Key West by Virginia 18x12 watercolor
Woman with Dog on Beach by Virginia 14x10 watercolor
Country Cottage by Virginia 16x11 watercolor
Ambush at Twelve Mile Swamp (St. Augustine) by Virginia 24x18 acrylic
Twelve-Mile Swamp, named for its distance from St. Augustine, is a forbidding area of cypress bogs and palmetto thickets. Through this wilderness on the evening of 11 September 1812, passed a column of 20 Marines and Georgia militiamen, led by Marine Captain John Williams, a 47-year-old Virginian. His mission was to escort a pair of supply wagons from the main camp of the Patriot Army near St. Augustine to the blockhouse on Davis Creek, about 22 miles. Williams and his detachment had come to East Florida to join an expedition intent on annexing the Spanish province, out of fears that the British would use Florida as an advance base for an invasion, and that escaped slaves would inspire insurrection in the southern states. The Marines were uneasy as they eyed the surrounding thickets. Bands of armed Seminole Indians and runaway slaves were active in the area. Anxious to reach Davis Creek before sunset, they hurried the supply wagons through the swamp as twilight deepened. Suddenly, the woods along the trail erupted with a blaze of musket fire as a large band of Indians and blacks fired a pointblank volley into the column. Williams, his sergeant, and the lead team of horses are downed by the first shots. Williams' Marines took up defensive positions along the trail and returned fire. The badly wounded Captain Williams watched as Captain Tomlinson Fort took over command, exhorting the troops to continue the fight until the last cartridge. At length, he too was wounded and ordered a retreat further into the swamp. As the fighting ended, the enemy band destroyed one wagon and drove the other off. Part of the detachment made its way to the blockhouse, while Williams hid himself among the palmetto thickets. The next morning, a rescue force found the Marine captain, left arm and right leg broken, and his right arm, left leg, and abdomen pierced by musket fire. Searching further, they found six more wounded in the brush, in addition to Williams' sergeant, stripped and scalped. “You may expect,” Williams wrote four days later, “that I am in a dreadful situation, tho' I yet hope I shall recover in a few months.” Williams died on 29 September. The ambush in Twelve-Mile Swamp and Marine Captain John Williams' subsequent death brought an end to an ill-conceived American scheme to annex Spanish East Florida by force.
Smooth Sailing by Virginia 11x9 acrylic
Barred Owl Charles 10x8 acrylic
Bridge of Lions by Charles 12x9 acrylic
The Bridge of Lions spans the Intracoastal Waterway in St. Augustine, FL. It connects St. Augustine to Anastasia Island across Matanzas Bay. It was declared "structurally deficient and functionally obsolete" in 1999. A restoration plan was approved costing an estimated $77M, and projected to require five years to complete. Prior to the Bridge of Lions in 1925, there was a wooden bridge called, "The Bridge to Anastasia Island". It was built in 1895. After a major renovation in 1904 it could accommodate a trolley, but had no movable opening for ship traffic, and charged a toll for transit. The old bridge frequently broke down. Henry Rodenbaugh, the "Father of the Bridge of Lions", organized the construction of the new bridge. It was designed not merely to carry cars, but to be a work of art. Now it is one of Florida’s greatest landmarks. From its earliest days, it was hailed as "The Most Beautiful Bridge in Dixie." It has long been a symbol of the nation's oldest city. It gets its name from two marble Medici lions statues that are copies of those found in the Loggia dei Lanzi in Florence, Italy. The Medici lions are also known for the copies placed in the Throne Room of the Royal Palace of Madrid.
Flamingos in the Mist by Virginia 13x10 watercolor
Rowboat by Virginia watercolor UNAVAILABLE
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